journal articles

Journal articles


‘Landscapes in the Frame: Exploring the Hinterlands of the British Procedural Drama', in New Review of Film and Television, DOI: 10.1080/17400309.2016.1189712 (2016).


‘Deep Mapping and Spatial Anthropology’ in Les Roberts (ed.), Special Issue on ‘Deep Mapping’, Humanities, 5 (1): vii-xv (2016). DOI:10.3390/h5010005 [Access here]


‘The Rhythm of Non-places: Marooning the Embodied Self in Depthless Space’, in Les Roberts (ed.), Special Issue on ‘Deep Mapping’, Humanities, 4 (4): 569–599 (2015). DOI:10.3390/h4040569 [Access here]


‘Of Time, Dissonance and the Symphonic-Poetic City’, in Eselsohren: Journal of the History of Art, Architecture and Urbanism, 2 (1-2): 87-104 (2015).


‘Navigating the “Archive City”: Digital Spatial Humanities and Archival Film Practice’, in Convergence: The International Journal of Research into New Media Technologies, 21 (1): 100-115 (2015). DOI: 10.1177/1354856514560310


‘The Bulger Case: a Spatial Story’, in The Cartographic Journal, 51 (2): 141-151 (2014). DOI:10.1179/1743277413Y.0000000075 [Access here]


‘Marketing Musicscapes, or, the Political Economy of Contagious Magic’, in Tourist Studies, 14 (1): 10-29 (2014). DOI: 10.1177/1468797613511683 [Access here]


‘Talkin Bout My Generation: Popular Music and the Culture of Heritage’, in International Journal of Heritage Studies, 20 (3): 262-280 (2014). DOI:10.1080/13527258.2012.740497 [Access here]


‘Unauthorizing Popular Music Heritage: Outline of a Critical Framework’, (co-authored with Sara Cohen), in International Journal of Heritage Studies, 20 (3): 241-261 (2014). DOI:10.1080/13527258.2012.750619 [Access here]


‘Popular Music Heritage, Cultural Memory and Cultural Identity’, Guest editorial to Special Issue on ‘Popular Music and Cultural Heritage’, (co-authored with Amanda Brandellero, Sara Cohen, and Susanne Janssen), International Journal of Heritage Studies, 20 (3): 219-223 (2014). DOI:10.1080/13527258.2013.821624 [Access here]


‘(Un)Doing Tourism Anthropology: Outline of a Field of Practice’, (co-authored with Hazel Andrews), Journal of Tourism Challenges and Trends, VI (2): 13-38 (2013). [Access here]


‘In Search of Pleasures Past’, (co-authored with Ryan Shand), practice-based publication (documentary film and supporting article), Screenworks 4 (2013).


‘Another Space: Gleaning the Urban Littoral’, article in support of practice-based publication (documentary film), in Journal of Tourism Consumption and Practice, Vol 4 (1), Special Issue on ‘Liminal Landscapes’, H. Andrews (ed), pp. 94-100 (2012).


‘Mapping, Memory and the City: Archives, Databases and Film Historiography’, (co-authored with Julia Hallam), in European Journal of Cultural Studies, Vol 14 (3), pp. 355-372 (2011). DOI: 10.1177/1367549411399939 [Access here]


‘Dis/embedded Geographies of Film: Virtual Panoramas and the Touristic Consumption of Liverpool Waterfront’, in Space and Culture, Vol 13 (1), pp. 54-74 (2010). DOI: 10.1177/1206331209353691[Access here]


‘Making Connections: Crossing Boundaries of Place and Identity in Liverpool and Merseyside Amateur Transport Films’, in Mobilities, Vol 5 (1), pp. 83-109 (2010). DOI:10.1080/17450100903435052 [Access here]


‘Hospitality and Eroticism’, (co-authored with Hazel Andrews and Tom Selwyn), in International Journal of Culture, Tourism and Hospitality Research, Vol 1 (3), pp. 247-262 (2007). DOI: 10.1108/17506180710817774 [Access here]


‘“Welcome to Dreamland”: From Place to Non-place and Back Again in Pawel Pawlikowski’s Last Resort’, in New Cinemas: Journal of Contemporary Film, Vol 1 (2), pp. 78-90 (2002). DOI: 10.1386/ncin.1.2.78 [Access here]


‘From Sarajevo to Didcot: An Interview with Pawel Pawlikowski’, in New Cinemas: Journal of Contemporary Film, Vol 1 (2), pp. 91-97 (2002). DOI: 10.1386/ncin.1.2.91 [Access here]


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