Lunch Hour
Grafton Arms, Kentish Town,
a Friday lunchtime in late '87.
The two Daves and me.
I'm relaying a story
from last night’s gig
(Tom Waits): a bullock
pierces testicle of civil
war soldier, a girl
in the line of charge
cops his load from
afar and is now with
child: a kind of
intercourse, but
it's not for everyone
(boom boom). But
why I had pictured
such scene – a ball,
a bull, a hoopla conception
– is a mystery indeed
when a bullet not a beast
had planted the seed.
So hear me when I say that
to have imagined such
a yarn to be reliably
spun makes me wonder
what it was that day
I had brought to the table,
where we shook off the dust
and supped on our pints,
sucking in smoke that clung
like a blanket, warm and
anaesthetic its desolate balm;
how we nested in the hollow
of an hour we had punched
in the face of a day that
gurned like any other;
doling out time
in small denominations
like a joyless cashier
(small change that got
rained on by 12:58).
But something else
hung in the air
that numb November
Nat Western day:
the shadow of that night
before the night before,
when tube lines mapped
the inner circle of hell
and time left behind
a life that had shunted its way
into sidings we’d shared.
A quarter century has
passed us by, a lifetime
and more for a girl who
met her fate at
not so sweet sixteen
in the white rush of flame,
a journey’s end before
it had barely begun.
X marks the spot
where the kings and the queens
amongst whom she roams
come up for air from
their underground realm:
31 stories that meld with my own.
The informality of memory
tempers the past
of a future made present,
a time beyond the reach
of those we remember.
Neither bank clerk nor victim,
hers is a story that cannot
be etched in memorial stone,
a life not reducible to
workplace or ending.
That which she is and is not
or might have been
is but an escalator ride
between night and day,
history and eternity,
bullock and bullet,
12 o’clock and 1.
April - May 2012
© Les Roberts 2016. All Rights Reserved.