Journal articles

'Minding the emptiness of nothing: methodological nothingness and the spatial anthropology of futility', in Social and Cultural Geography (in review, 2023/4).

'Tracing lines in the Hilbre sands: a spatial anthropology of islandness and other fictions', (co-authored with Hazel Andrews), in Irish Journal of Anthropology (in press, 2023/4).

'Songlines are for singing: un/mapping the lived spaces of travelling memory', in Hazel Andrews and Les Roberts (eds.), Special Issue on 'The Phenomenology of Travel and Tourism', in Humanities, 12 (3), 52 (2023). DOI: 10.3390/h12030052 [Access here]

‘“The news where you are”: putting the geo in media studies’ (review essay), in European Journal of Communication,  33 (6): 673-686 (2018).  DOI: 10.1177/0267323118811690 [Access here]

‘Spatial bricolage: the art of poetically making do’, in Les Roberts (ed.), Special Issue on 'Spatial Bricolage: Methodological Eclecticism and the Poetics of "Making Do"', Humanities, 7 (2), 43 (2018). DOI: 10.3390/h7020043 [Access here]

‘The Question of Space: a review essay’, in Les Roberts (ed.), Special Issue on 'Spatial Bricolage: Methodological Eclecticism and the Poetics of "Making Do"', Humanities, 7 (2), 42 (2018). DOI: 10.3390/h7020042 [Access here]

‘Landscapes in the Frame: Exploring the Hinterlands of the British Procedural Drama’, in New Review of Film and Television, 14 (3): 364-38 (2016). DOI: 10.1080/17400309.2016.1189712 [Access here]

‘Deep Mapping and Spatial Anthropology’ in Les Roberts (ed.), Special Issue on ‘Deep Mapping’, Humanities, 5 (1), 5 (2016). DOI:10.3390/h5010005 [Access here]

‘The Rhythm of Non-places: Marooning the Embodied Self in Depthless Space’, in Les Roberts (ed.), Special Issue on ‘Deep Mapping’, Humanities, 4 (4): 569–599 (2015). DOI:10.3390/h4040569  [Access here]

‘Of Time, Dissonance and the Symphonic-Poetic City’, in Eselsohren: Journal of the History of Art, Architecture and Urbanism, 2 (1-2): 87-104 (2015).  [Access here]

‘Navigating the “Archive City”: Digital Spatial Humanities and Archival Film Practice’, in Convergence: The International Journal of Research into New Media Technologies, 21 (1): 100-115 (2015). DOI: 10.1177/1354856514560310 [Access here]

‘The Bulger Case: a Spatial Story’, in  The Cartographic Journal, 51 (2): 141-151 (2014). DOI:10.1179/1743277413Y.0000000075     [Access here]

‘Marketing Musicscapes, or, the Political Economy of Contagious Magic’, in Tourist Studies, 14 (1): 10-29 (2014).  DOI: 10.1177/1468797613511683 [Access here]

‘Talkin Bout My Generation: Popular Music and the Culture of Heritage’, in International Journal of Heritage Studies, 20 (3): 262-280 (2014).  DOI:10.1080/13527258.2012.740497 [Access here]

‘Unauthorizing Popular Music Heritage: Outline of a Critical Framework’, (co-authored with Sara Cohen), in International Journal of Heritage Studies, 20 (3): 241-261 (2014). DOI:10.1080/13527258.2012.750619 [Access here]

‘Popular Music Heritage, Cultural Memory and Cultural Identity’, Guest editorial to Special Issue on ‘Popular Music and Cultural Heritage’, (co-authored with Amanda Brandellero, Sara Cohen, and Susanne Janssen), International Journal of Heritage Studies, 20 (3): 219-223 (2014). DOI:10.1080/13527258.2013.821624 [Access here]

‘(Un)Doing Tourism Anthropology: Outline of a Field of Practice’, (co-authored with Hazel Andrews), Journal of Tourism Challenges and Trends, VI (2): 13-38 (2013). [Access here]

‘In Search of Pleasures Past’, (co-authored with Ryan Shand), practice-based publication (documentary film and supporting article), Screenworks 4 (2013).

‘Another Space: Gleaning the Urban Littoral’, article in support of practice-based publication (documentary film), in Journal of Tourism Consumption and Practice, Vol 4 (1), Special Issue on ‘Liminal Landscapes’, H. Andrews (ed), pp. 94-100 (2012). [Access here]

‘Mapping, Memory and the City: Archives, Databases and Film Historiography’, (co-authored with Julia Hallam), in European Journal of Cultural Studies, Vol 14 (3), pp. 355-372 (2011). DOI: 10.1177/1367549411399939 [Access here]

‘Dis/embedded Geographies of Film: Virtual Panoramas and the Touristic Consumption of Liverpool Waterfront’, in Space and Culture, Vol 13 (1), pp. 54-74 (2010). DOI: 10.1177/1206331209353691[Access here]

‘Making Connections: Crossing Boundaries of Place and Identity in Liverpool and Merseyside Amateur Transport Films’, in Mobilities, Vol 5 (1), pp. 83-109 (2010).  DOI:10.1080/17450100903435052 [Access here]

‘Hospitality and Eroticism’, (co-authored with Hazel Andrews and Tom Selwyn), in International Journal of Culture, Tourism and Hospitality Research, Vol 1 (3), pp. 247-262 (2007). DOI: 10.1108/17506180710817774 [Access here]

‘“Welcome to Dreamland”: From Place to Non-place and Back Again in Pawel Pawlikowski’s Last Resort’, in New Cinemas: Journal of Contemporary Film, Vol 1 (2), pp. 78-90 (2002). DOI: 10.1386/ncin.1.2.78 [Access here]

‘From Sarajevo to Didcot: An Interview with Pawel Pawlikowski’, in New Cinemas: Journal of Contemporary Film, Vol 1 (2), pp. 91-97 (2002). DOI: 10.1386/ncin.1.2.91 [Access here]