Julia Hallam and Robert Kronenburg – Preface

    Richard Koeck and Les Roberts – Introduction: Projecting the Urban

1. Heather Norris Nicholson – ‘Old World Traditions… and Modernity’ in Cunard’s Transatlantic Films, c.1920 – 35: Making Connections between Early Promotional Films and Urban Change
2. Isabelle McNeill – Nice: Virtual City
3. Ryan Shand – Visions of Community: The Post War Housing Problem in Sponsored and Amateur Films
4. Julia Hallam – ‘City of Change and Challenge’: The Cine-societies’ Response to Liverpool’s Redevelopment in the 1960s
5. Charlotte Brunsdon – Towards a History of Empty Spaces
6. Tara McDowell – Tacita Dean’s Optics of Refusal
7. Ian Robinson – Critique of the Disappearing City in the Films of Keiller,Cohen, and Steinmetz and Chanan
8. Alan Marcus – A Tale of Two Cities: Dachau Observed
9. Teresa Castro – Mapping the City through Film: From ‘Topophilia’ to Urban Mapscapes
10. Paul Newland – Towards (East) London 2012: Emily Richardson’s Transit(2006) and Memo Mori (2009),and the Work of Iain Sinclair
11. Maurizio Cinquegrani – The Cinematic Production of Iconic Space in Early Films of London (1895-1914)
12. Les Roberts – Projection Place: Location Mapping, Consumption, and Cinematographic Tourism
13. Richard Koeck – Cine-Montage: The Spatial Editing of Cities
14. Robert Kronenburg – Informing Contemporary Architectural Urban Design with Historic Filmic Evidence
15. Francois Penz – The Real City in the Reel City: Towards a Methodology through the Case of Amélie
16. Helmut Weihsmann – Let Architecture ‘Play’ Itself: A Case Study